Selasa, 22 Juni 2010

[O525.Ebook] Free PDF Saturday Night: A Backstage History of Saturday Night Live, by Doug Hill, Jeff Weingrad

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Saturday Night: A Backstage History of Saturday Night Live, by Doug Hill, Jeff Weingrad

Saturday Night is the intimate history of the original Saturday Night Live, from its beginnings as an outlaw program produced by an unruly band of renegades from the comedy underground to a TV institution that made stars of John Belushi, Bill Murray, Chevy Chase, Gilda Radner, Jane Curtin, Laraine Newman, Garrett Morris, Joe Piscopo and Eddie Murphy. This is the book that revealed to the world what really happened behind the scenes during the first ten years of this groundbreaking program, from the battles SNL fought with NBC to the battles fought within the show itself. It's all here: The love affairs, betrayals, rivalries, drug problems, overnight successes, and bitter failures, mixed with the creation of some of the most outrageous and original comedy ever. "It reads like a thriller," said the Associated Press, "and may be the best book ever written about television." Available for the first time in ebook format, this edition features nearly fifty photographs of cast, crew and sketches.

  • Sales Rank: #875366 in Books
  • Published on: 2014-08-26
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.47" w x 6.00" l, 1.88 pounds
  • Binding: Paperback
  • 588 pages

From Publishers Weekly
Bold and irreverent, NBC's Emmy-winning Saturday Night Live produced many stars (Chevy Chase, John Belushi, Gilda Radner, Jane Curtin and others) and redefined the limits of TV comedy. In this absorbing account, based on 250 interviews, the authors successfully recreate the chaotic backstage scene where writers and performers from the comedy underground of the 1970s created an "outlaw" show for a generation raised on TV and rock 'n' roll. The on-air shenanigans pale in comparison to much of the manic behavior reported here: frantic last-minute changes in sketches; rivalries between stars; battles with censors; run-ins with more conventional network crews and security guards. At once serious (explaining how "amateurs" managed to break TV's comedic rules) and gossipy (drugs, brawls, etc.), this bright history is bound to please many. Hill and Weingrad have written individually about TV for numerous publications. 100,000 first printing; $100,000 ad/promo; author tour.
Copyright 1986 Reed Business Information, Inc.

From Library Journal
An engrossing, compulsively readable history of the late-night television show, from the early struggle to get it accepted by the network to its most recent incarnation with the return of original producer Lorne Michaels. The book is well written and detailed, and the authors interviewed more than 200 people connected with the show. Most interesting are the first few seasons, when Saturday Night was truly innovative and blessed with the Not-Ready-for-Prime-Time Players and more daring writers. Excerpts from skits punctuate the text, and most are still funny. As the show loses its cult status and goes big-time, however, the story becomes a depressing account of rampant egotism, drug abuse, and, ultimately, the end of SNL 's originality and excitement. For social history and media collections. Judith Sutton, "Library Journal"
Copyright 1986 Reed Business Information, Inc.

About the Author
Doug Hill's previous works include "Prayer, Faith and Healing" and "Healing Power," A former staff writer for "TV Guide," he is completing studies for a divinity degree at Moravian Seminary in Bethlehem, Pennsylvania. He lives in Montclair, New Jersey.

Most helpful customer reviews

26 of 26 people found the following review helpful.
Great stuff for long-time SNL fans!
By Cliff Rives
This is one of the best behind-the-scenes books I've ever read. Published in 1986, it detailed the first ten seasons of SNL. This isn't a sanitized, cast-only, everybody's-wonderful book, but it's not a gossipy tell-all, either. There's a lot of great stories about all the people on both sides of the camera who put the show on week after week. There are great chapters on how the show got on the air in the first place (they even needed an OK from Johnny Carson), and the battles the show fought with censors, critics, even the White House. And there are chapters devoted to the shows four breakout stars--Chevy Chase, John Belushi, Bill Murray, and Eddie Murphy. Hill and Weingrad are clearly fans of the show, but they're still merciless when discussing the show's low points, particularly the 1980-81 season. There are detailed examinations of many of the show's milestones, including a 1978 show with Steve Martin that's still considered one of the series' best. If you remember watching the show back when the Coneheads, the Blues Brothers, and the Nerds were the hottest thing on the tube, you'll want to track down this book. And I'd dearly love these authors to put out a volume II chronicling the last dozen years of the show.

10 of 10 people found the following review helpful.
As entertaining as the show itself (the good episodes)
By buddyhead
An excellent book, in terms of its breadth and the behind-the-scenes perspective it gives to the Saturday Night Live episodes we have all seen on TV. The writers certainly did their homework, and yet the scores of names, dates, and places mentioned never bog down the flow of this story. It is fascinating to read about the clashes between these stars who were both comic geniuses and petulant egomaniacs, and frankly, it is surprising that any episodes were able to air at all. Despite what you think about Saturday Night Live, you cannot deny the show's existence as a television institution, and reading this book makes you appreciate its innovation then, and longevity now, all the more.

9 of 10 people found the following review helpful.
Live From New York
By R. G. Somebody
Like many, I grew up watching Saturday Night Live, either new episodes or those rerun on various cable channels, marveling at the wonderful humor and originality. I had always heard urban legends surrounding the show, and its earliest moments, and when I discovered this book I knew I had to read it. The authors take you through the first several seasons of the show, showing the reader many aspects of the backstage history, from the dynamics between Lorne Michaels and the cast to the use of drugs in the early days. There are many anecdotes from tales involving the Hell's Angels to the trip Chevy Chase made to the White House to lampoon President Ford, and all of the early greats are covered from Belushi, Murphy, and Chase to O'Donoghue, Franken, and Davis. I laughed recalling many of the skits that are presented in this book, and I sit amazed as I read about many of the sorrowful topics including the decline of Garret Morris and Larraine Newman. This book is older and dated, and many of the actors that were predicted to go into obscurity have resurfaced since publication and have seemingly came into there on. It's very light hearted, even given some of the darker topics, and it is a fairly quick read as it is written in an anecdotal style. Read this book and enjoy.

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Senin, 21 Juni 2010

[E921.Ebook] Download Ebook Bel-ami;: The history of a heart,, by Guy de Maupassant

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Bel-ami;: The history of a heart,, by Guy de Maupassant

  • Sales Rank: #12780708 in Books
  • Published on: 1910
  • Binding: Unknown Binding
  • 313 pages

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Selasa, 15 Juni 2010

[N626.Ebook] Ebook Process Improvement for Effective Budgeting and Financial Reporting, by Nils H. Rasmussen, Christopher J. Eichorn, Corey S. Barak, Toby Pr

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Process Improvement for Effective Budgeting and Financial Reporting, by Nils H. Rasmussen, Christopher J. Eichorn, Corey S. Barak, Toby Pr

"The budget and financial reporting processes are well known sources of frustration for most CFOs. Seeking a quick fix to the problem, the common solution is to pour more money into new and better software. This leaves the root cause, the inefficient and dysfunctional underlying processes and routines, unaddressed. As this book shows, substantial and sustainable improvements are only achieved through an holistic approach to process improvement, technology, strategy, and people."
—Tom Henry Knudsen, Executive Vice President, Telenor Eiendom Fornebu AS, Proven methods for improving efficiency

Corporations face a high turnover among financial managers, rapid changes in technology, lack of time and process redesign skills, and ongoing ambiguity about primary objectives behind the budgeting and financial reporting processes. Amid this frenzy, it is the fundamental efficiency of these processes that dramatically impact overall business performance. Process Improvement for Effective Budgeting and Financial Reporting provides financial managers with a compelling blueprint for increasing efficiency and eliminating waste of time and energy. Four operational experts lay out an 80/20 plan-improving 80% of processes in 20% of the time it would take to improve 100%-and explain a Business Process Improvement (BPI) plan that incorporates:

  • The emerging trends affecting financial managers today
  • Step-by-step process implementation
  • Interviews with industry leaders, consultants, and managers who have successfully instituted BPI plans
  • Appraisals of the available software that can help or hinder the process

There is no substitute for improved efficiency. CFOs, controllers, budget managers, and financial analysts will significantly benefit from adding this authoritative guide to their professional libraries.

  • Sales Rank: #2380882 in eBooks
  • Published on: 2008-05-02
  • Released on: 2008-05-02
  • Format: Kindle eBook

From the Inside Flap
As a company’s financial executives inevitably come and go, there is little time or attention paid to improving the essential budgeting and financial reporting processes that in fact dramatically affect a business’s performance. New software has little effect when incorporated into inefficient routines and when new management styles fail to address fundamental procedural problems. Applying the famed 80/20 rule–improving 80% of processes in 20% of the time that it would take to improve 100%–four operational experts go straight to the heart of the matter, laying out a compelling blueprint for improving a variety of essential procedures in Process Improvement for Effective Budgeting and Financial Reporting.

This much-needed guide combinesmethodology and systems from general business process improvement (BPI), as well as from business re-engineering theories, and applies them specifically to budgeting and reporting processes. Part One, "Introduction to Business Process Improvement," introduces readers to financial process analysis and the trends affecting managers today, while Part Two, "Business Process Improvement Project," takes readers step-by-step through actual project implementation. Part Three, "Designing the Ultimate Chart of Accounts," shows readers how to create a chart of accounts that easily adapts to changes and additions, remains clean and structured, and incorporates a code system that better captures relevant management information. Part Four, "Interviews," presents thoughtful discussions with professionals who have implemented BPI projects, BPI consultants, and technology gurus on common pitfalls and solutions. Part Five, "Software Tools and Resources," provides an in-depth look at the products available that can aid the BPI process and which specific tools may be appropriate for individual cases. Other topics covered include:

  • How to sell change to your organization
  • Budgeting and reporting diagnostics
  • How to identify key budget process building blocks
  • Software buyer’s guide

A companion Web site includes appendix material, such as sample nondisclosure contracts, consulting contracts, and business process improvement templates. Process efficiency is intimately related to business performance. Process Improvement for Effective Budgeting and Financial Reporting provides financial management with invaluable insights to help identify and improve processes.

From the Back Cover
"The budget and financial reporting processes are well known sources of frustration for most CFOs. Seeking a quick fix to the problem, the common solution is to pour more money into new and better software. This leaves the root cause, the inefficient and dysfunctional underlying processes and routines, unaddressed. As this book shows, substantial and sustainable improvements are only achieved through an holistic approach to process improvement, technology, strategy, and people."
–Tom Henry Knudsen
Executive Vice President, Telenor Eiendom Fornebu AS

Proven methods for improving efficiency

Corporations face a high turnover among financial managers, rapid changes in technology, lack of time and process redesign skills, and ongoing ambiguity about primary objectives behind the budgeting and financial reporting processes. Amid this frenzy, it is the fundamental efficiency of these processes that dramatically impact overall business performance. Process Improvement for Effective Budgeting and Financial Reporting provides financial managers with a compelling blueprint for increasing efficiency and eliminating waste of time and energy. Four operational experts lay out an 80/20 plan–improving 80% of processes in 20% of the time it would take to improve 100%–and explain a Business Process Improvement (BPI) plan that incorporates:

  • The emerging trends affecting financial managers today
  • Step-by-step process implementation
  • Interviews with industry leaders, consultants, and managers who have successfully instituted BPI plans
  • Appraisals of the available software that can help or hinder the process

There is no substitute for improved efficiency. CFOs, controllers, budget managers, and financial analysts will significantly benefit from adding this authoritative guide to their professional libraries.

About the Author
NILS H. RASMUSSEN is a software solutions manager with Solver, Inc., a consulting firm that specializes in budgeting and reporting. He has participated in more than two hundred software selection and improvement projects.

CHRISTOPHER J. EICHORN is a consulting manager with Solver, Inc. He is responsible for developing and implementing budgeting and financial reporting software for midsize and large corporations. He has formerly worked with Deloitte & Touche as a CPA.

COREY S. BARAK is a senior consultant at Solver, Inc. specializing in requirements analysis and implementations, enterprise-wide budgeting, and reporting software as well as budgets, financial reporting, workflow, business processes, and training.

TOBY PRINCE is a systems analyst at Dacor, Inc., where he performs financial analysis and implementation and support of financial reporting applications and analysis. He has supervised or participated in software implementations at over thirty companies.

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0 of 10 people found the following review helpful.
good
By Fergie
I actually have decided to drop the class that I needed this book for, so am not sure of the content just yet. The book was in good shape though.

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Senin, 14 Juni 2010

[S127.Ebook] Ebook Reading Comics: How Graphic Novels Work and What They Mean, by Douglas Wolk

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Reading Comics: How Graphic Novels Work and What They Mean, by Douglas Wolk

Suddenly, comics are everywhere: a newly matured art form, filling bookshelves with brilliant, innovative work and shaping the ideas and images of the rest of contemporary culture. In Reading Comics, critic Douglas Wolk shows us why and how. Wolk illuminates the most dazzling creators of modern comics-from Alan Moore to Alison Bechdel to Chris Ware-and explains their roots, influences, and where they fit into the pantheon of art. As accessible to the hardcore fan as to the curious newcomer, Reading Comics is the first book for people who want to know not just which comics are worth reading, but ways to think and talk and argue about them.

  • Sales Rank: #1029671 in Books
  • Published on: 2008-06-10
  • Released on: 2008-06-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .94" w x 6.00" l, .99 pounds
  • Binding: Paperback
  • 416 pages

Amazon.com Review
Amazon Significant Seven, August 2007: With none of the bashful, "comics aren't just for kids any more!" throat-clearing that accompanies most mainstream writing on comics, Douglas Wolk's Reading Comics: How Graphic Novels Work and What They Mean leaps straight into smart, conversational talk about perhaps the liveliest medium going. His enthusiasms and criticisms are infectious and often surprising, and, most refreshingly, he treats the two often warring (or at least mutually ignorant) sides of comics--the superhero tradition and the art comics that have gained highbrow attention lately--without ignoring the differences between them. Reading Comics is an appealingly idiosyncratic tour of many of his favorite artists that doesn't hesitate to criticize some of the most revered names in the business (like Chris Ware and Will Eisner) or investigate some of its most forgotten genre byways (like the '70s series Tomb of Dracula) with serious enthusiasm. --Tom Nissley

Questions for Douglas Wolk

Amazon.com:What do comics--the writing and the pictures and the narrative combined--give us that other art forms don't?

Wolk: The most important thing comics give us, I think, is drawing that makes a story. What you're seeing when you look at a page of comics, you're not just looking at a bunch of images that represent a plot, you're looking at something that came from somebody's hand--a deliberately distorted world, changing over time, built by a particular artist, line by line.

Amazon.com: There is a great perceived divide in comics, between the superhero tradition and what you call art comics. One of the pleasures of your book is the way you happily work both sides of that divide without fuss. Do you think the divide is valid, or does it melt away the more attention you pay to individual artists?

Wolk: There's definitely a useful distinction to make--art comics are primarily about particular cartoonists' self-expression, and superhero comics are primarily about the characters and their shared fictional history. One's an ethos, the other's a genre. But I don't think individual artists have to stay in one camp or the other, and in any case an ethos and a genre can overlap. You can say that Mark Bagley and Hope Larson belong to totally different schools, but then somebody like Bill Sienkiewicz turns up and makes the idea of a binary opposition look ridiculous. In fact, the best genre comics almost always have a really strong sense of expressive style about them.

Amazon.com: One way you, by necessity, limit the range of your discussion is to leave out the newspaper-strip side of comics history. As someone who came to comics from that side of things, it was a little disconcerting to read a book on American comics that only made a single passing reference to Charles Schulz. What influence do you think newspaper strips have had on the development of art comics especially?

Wolk: One of the biggest breakthroughs I had in writing Reading Comics was realizing that not only did I not have to make it comprehensive, it'd be more interesting and useful if it didn't even pretend to be comprehensive! I didn't mention newspaper strips much because they mostly seem to me to be playing a slightly different game from narrative comics--at least, there hasn't been a lot of extended narrative in newspaper strips in a long time. (By their nature, they have to get in and get out in a few lines, and now that they're all postage-stamp-sized, there's really no way they can move a story forward.) What newspaper strips did contribute to art comics was the development of distinctive visual style--the idea that an artist's handiwork was at least as important as a strip's characters--but these days they're so tightly limited by their size and populism and every-third-panel punchlines that they sometimes seem like an arcane kind of microminiature. Everybody loves "Peanuts," but I don't know that there's even room for a new stylist as fresh as Schulz (or George Herriman or Milton Caniff or Winsor McCay) on the newspaper page now. On the other hand, "Calvin & Hobbes" wasn't so long ago.

Amazon.com: And for a reader like me who has pretty much bypassed the superhero tradition and become a Dan Clowes/Charles Burns/Chris Ware fan via Peanuts and literary fiction, where would you recommend I start reading on the superhero side of the divide, which, as you say, has become so self-referential that it can be hard to crack the code?

Wolk: I was talking with some friends recently about the common mistake of recommending Alan Moore and Dave Gibbons' Watchmen, as great as it is, as a starting point for superhero comics--as one of them put it, that's like recommending The Seventh Seal as someone's first movie! For pure, unencumbered superhero joycore, I love Grant Morrison and Frank Quitely's All-Star Superman--if you've heard of Clark Kent and Lois Lane, you know everything you need to know to enjoy it, and it deepens with repeated reading. Brian Michael Bendis and Michael Gaydos's cruelly witty Alias, about a self-loathing ex-superheroine-turned-P.I., has lots of Easter eggs for the continuity-obsessed, but it probably works even better as a stand-alone story. And if you're at all into Victorian literature and/or want to sample Moore's work, the two volumes of The League of Extraordinary Gentlemen (drawn by Kevin O'Neill) are hugely fun on their own, and also illustrate by analogy the way a lot of the best superhero comics and other pulp art work: providing metaphors to illuminate the central concerns of their moment.

Amazon.com: You're as prolific a writer about music as you are about comics. How do you compare writing about the two?

Wolk: They're hard to compare--it feels like different parts of my brain deal with music and comics. I suppose both of them present the risk of paying too much attention to the words and missing the really important stuff. There's also much more of a tradition of music criticism with a strong, personal voice, and a richer shared vocabulary for talking about what's happening in music. ("Musical," for instance, is a perfectly normal word; there's no word that means "comics-ish"...) Right now, people writing about comics (in English, anyway) are still making it up as we go along, which is risky but exciting.

Amazon.com: I'm a big fan of your little book on James Brown's Live at the Apollo, my favorite so far in that wonderful 33 1/3 series, and one thing that struck me, having read your two books now, is that one, the James Brown book, is super-tight (fitting its subject I guess), aphoristic and efficient, while the other, Reading Comics, seems purposefully loose, willing to take a stroll and maybe not come back. Is that a difference you thought about while writing the two books?

Wolk: It was! I thought of Live at the Apollo as one long essay, a way of diagramming how the 35 minutes of that album exploded outwards in time, and I stole a lot of its tone and technique from George W.S. Trow's tiny fireball of a book In the Context of No Context. I wanted Reading Comics to be more conversational--the idea was to open up as many arguments as I could, to try to broaden the way people talk about comics instead of codifying it.

From Publishers Weekly
As the graphic novel flourishes and gains legitimacy as an art form, serious comics criticism is an inevitable byproduct, and PW contributing editor Wolk's analytical discourse is a welcome starting point. The volume contains two sections: Theory and History, an explanation of comics as a medium and an overview of its evolution, and Reviews and Commentary, a diverse examination of creators and works. This section spans Will Eisner's pioneering efforts as well as the groundbreaking modern comics by the Hernandez brothers, Chris Ware and Alison Bechdel. Since there are decades worth of books already focusing on the superhero genre, the raw clay from which the comics industry was built, the relatively short shrift given to the spandex oeuvre's insular mythologies is a wise choice that allows the nonfan a glimpse into the wider range that comics commands. Wolk's insightful observations offer much to ponder, perhaps more than can be fully addressed in one volume, but the thoughtful criticism and knowledgeable historical overview give much-needed context for the emerging medium. B&w illus. (July)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From School Library Journal
Wolk certainly knows the field of comics and has interesting things to say about a wide variety of them. Unfortunately, his first two chapters are so bogged down because of his arrogant and condescending style that it's hard to find any content. In later chapters, some of his excellent assessment of comics and what makes them work as both art and entertainment shines through. The book is not meant to be a canon of what comics are good; as he states, "I'm more interested in starting discussions (and arguments) about comics than settling them with any kind of self-appointed authority." His critiques and in-depth looks at comics creators whose works he finds particularly interesting to discuss certainly meet that goal—but only for readers already familiar with the artists he's discussing. Despite his insight, his overuse of the phrase "more on that later" (oftentimes leaving readers with little explanation until chapters after his first argument) and the extremely antagonizing first two chapters make the book a difficult read. It may find use in classrooms about comics as literature or the nature of criticism, but it will have a difficult time finding an audience anywhere else.—Alana Abbott, James Blackstone Memorial Library, Branford, CT
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Most helpful customer reviews

0 of 0 people found the following review helpful.
I want my money back. I bought this for ...
By Anonymous
I want my money back. I bought this for a college class and the teacher just lectured about how this isn't how to read comics.

35 of 39 people found the following review helpful.
A book that wants to be more than it is
By Blake Petit
This is rather a difficult book to review. While I definitely appreciate the fact that comics are being treated seriously as a scholarly work, I'm not really sure that this book is, in fact, what it claims to be. The first third of the book is ostensibly dedicated to a discussion of the format of comics and he potential of the medium, but Wolk constantly peppers the book with condescending commentary on mainstream books even as he purports to love them, going so far at one point as to suggest that there's something developmentally wrong with an adult who still enjoys a character he enjoyed as a child. While there's certainly nothing wrong with the heavy bias towards independent comics this book displays, he often paints most superhero comics with the same brush (except, of course, for perennial exceptions Watchmen, The Dark Knight Returns and a few others). In other words, he does quite a bit to perpetuate the same primitive attitudes about comics that this book supposedly works to dispel.

The rest of the book is essentially a recommended reading list, with chapters devoted to different comic creators and their work. This section, honestly, is rather predictable. He gushes over the work of Alan Moore (even the total derailment of Promethea), pretentiously assures us that it's "okay" to read Dave Sim and Steve Ditko though they display (horrors!) conservative ideas in their work, and talks about the mastery of Maus. Not to say this section is all bad. Even in his predictability, he provides a very strong analysis of the Hernandez brothers' work, that of Chris Ware, of Chester Brown, and several other names that a mainstream reader may never have heard of. Perhaps the best chapter in the book is his analysis of Grant Morrison's work, which has actually convinced me to give The Invisibles another try. (I was put off by the anarchist tone of the first volume, something that doesn't appeal to me, but the idea in the analysis that the intended readers of the comic are actually people who have already read it makes me think that it's worth trying again).

This isn't a bad book - there are a lot of interesting ideas and thoughtful insights into comics as a whole and several comics in particular. But in the end, Wolk suffers the same fate as a lot of people who have tried to analyze comics as an artform. Simply put, the book thinks it's more important than it actually is.

11 of 11 people found the following review helpful.
Needed an editor to really polish it
By Andrew Otwell
There's a lot to recommend this book. No matter how versed you are in comics (I'm not), you're sure to find something new here about an amazingly complex medium.

But it's got some annoying flaws. Particularly in the first third of the book, it can be seriously geeky when it should be introductory and welcoming. You may find yourself stumbling on what seems like fan jargon or expert knowledge. I didn't(and still don't) understand the stylistic differences between Jack Kirby's early and late work. But that's the kind of thing Wolk more or less assumes at times.

At best, the book has some wonderful visual analyses of comic panels and styles. That's good, because most of the arguments require you to trust the visual descriptions. For a book about comics there aren't nearly enough illustrations, and none in color. How about a companion website where readers could look at more than a few low-quality black and white reproductions?

But Wolk's writing style gets annoying at this length. The book's trying to be academic and authoritative, but do it with a casual writing style. It doesn't work. Wolk often writes like a smart blogger; in other words, like someone who *really* needs an editor with a sharp red pencil. For example, he'll use annoying terms like "wave at" or "poke at" to mean "show" and "examine." He has a short "interview" between himself and Mr. Straw Man which feels like a clumsy way of avoiding constructing actual prose. Or he'll discover a new ten-dollar word (like "somatic") and use it two or three times in as many pages. He uses cliched writing (calling someone "a god-awful hack") constantly.

Worst, nearly every page has at least two or three parenthetical phrases, which makes following arguments clunky. An editor would have deleted these as either truly side comments, or else rewritten them to be part of the argument.

You might not be bothered by these things, though I was. They get in the way of reading and following what's actually a pretty subtle and worked-out argument.

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Minggu, 13 Juni 2010

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The Delinquent Solution (Routledge Revivals): A Study in Subcultural Theory, by David Downes

First published in 1966, The Delinquent Solution presents a study of crime associated with the nature of subcultures. The book discusses issues such as the concept and theory of subcultures, the life of delinquent gangs, and the English experience of delinquent subcultures. It also takes an in-depth look at the Stepney and Poplar survey on crime from 1960, analysing both statistical data and more informal observations. Although the book was written over forty years ago, the issues discussed remain relevant and strong areas of interest.

  • Published on: 2013-10-30
  • Released on: 2013-10-30
  • Format: Kindle eBook

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Rabu, 09 Juni 2010

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The Raven and Other Poems [Classic Tales Edition], by Edgar Allan Poe

Dive into a fantastic selection of poetry from the great Edgar Allan Poe. Includes "The Raven", "The Sleeper", "Bridal Ballad", "The City in the Sea", "Dreams", "El Dorado", and "Annabel Lee".

  • Sales Rank: #31170 in Audible
  • Published on: 2016-08-09
  • Format: Unabridged
  • Original language: English
  • Running time: 23 minutes

Most helpful customer reviews

0 of 0 people found the following review helpful.
An enjoyable volume for fans of Edgar Allan Poe's most known poems.
By Joseph J. Truncale
I have loved all kinds of poetry most of my life, with the exception of the so-called modern free verse poetic style. The short poetic forms like haiku are my favorite types of poems; however, I do love many of the old masters of poetry like Edgar Allan Poe. This small Dover Thrift edition of "the Raven and other favorite poems" is excellent. I was familiar with a few of Poe's most famous poems (The Raven, Annabel Lee, and Eldorado) but this is the first time I have read some of his other poems.

The volume contains 41 of his poems. Some of these include the following: Alone, Annabel Lee, The Bells, the City by the Sea, The coliseum, A dream, Dreams, Eldorado, Eulalie-A song, Evening star, For Annie, Happiest Day-the Happiest hour, the haunted palace, Lenore, The Raven, Spirits of the dead and many other poems.

In conclusion, if you like the poetry of Edgar Allan Poe, you will enjoy this volume.

Rating: 4 Stars. Joseph J. Truncale (Author: Haiku Moments: How to read, write and enjoy haiku)

0 of 0 people found the following review helpful.
Best buy ever
By Daniel
I gave this a 5 star rating because I'm a huge fan of Edgar Allan Poe and all of his works. If you have free time take a minute to look him up and enjoy his darness

0 of 0 people found the following review helpful.
Excellent!
By Savva Madar
Excellent book! Could have been slightly better condition but for $0.01 it's a no brainer! My favorite one of these stories/ poems is the raven!

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Selasa, 08 Juni 2010

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Reflective Practice in Psychotherapy and Counselling, by Jacqui Stedmon, Rudi Dallos

"This is a rigorously edited book that maintains consistency throughout, I found the concluding chapter 'reflections on reflections' particularly useful. This book captures what is current in reflective practice neatly charting its dissemination from education theory into the different therapy schools. Reflective practice is effectively illustrated within the different therapeutic schools. I will be recommending this book to other members of the multidisciplinary team where I work." BMA Medical Book Awards 2010 - Highly Commended in the Psychiatry Section

Reflective Practice has become established as an essential feature of practice in psychotherapy and counselling in the UK, Europe, USA and some other parts of the world. However, the writing on reflective practice is arguably fragmented and scattered, and much of it is highly theoretical and abstract.

This book draws together conceptual and ethical issues regarding reflective practice, including the meaning and development of the orientation. More importantly, it connects theory to day-to-day practice in psychotherapy and counselling, addressing issues such as:

  • What does reflective practice look like, in practice?
  • How do we develop the skills in carrying it out?
  • What ways does it assist practice?

    The book offers an exploration of reflective practice within different models of psychotherapy and counselling: CBT, psycho-dynamic and narrative, systemic family therapy, narrative and community approaches. Throughout, it employs a range of illustrations from a variety of clinical contexts to illustrate reflective practice in action. These include work with; children and families, adult mental health, trauma and abuse, learning disability, youth offending and bereavement and loss.

    The mix of theoretical background along with practical examples and exercises will be key for students and practioners in the fields of psychotherapy and counselling. The book will be a spur to readers to challenge dominant assumptions and modes of clinical practice and help them fulfil the compulsory requirement for a reflective practice element in their training.

    • Sales Rank: #2597887 in Books
    • Brand: Brand: Open University Press
    • Published on: 2009-10-01
    • Original language: English
    • Number of items: 1
    • Dimensions: 9.10" h x .63" w x 6.10" l, .88 pounds
    • Binding: Paperback
    • 288 pages
    Features
    • Used Book in Good Condition

    About the Author
    Jacqui Stedmon is Academic director of the Clinical Psychology Programme at the University of Plymouth. In this role she has fostered the development of reflective practices in the context of teaching and training, including the use of problem based, experiential, and distance learning. She has worked for many years as a paediatric psychologist within local services for children's mental health. She is a qualified family therapist and enjoys drawing on a variety of other orientations to inform her therapeutic work.

    Together with colleagues, she co-founded, and currently acts both as Trustee and Clinical Director for, Jeremiah's Journey, a Plymouth-based charity that provides a service for bereaved children and their families. She is researching children and young people's narratives of grief and loss, particularly how their meaning-making resources may be linked to family attachment styles and resilience.

    Rudi Dallos is Professor of Clinical psychology and Programme Director of the D.Clin. Psychology training programme at the University of Plymouth. He also teaches on qualifying systemic family therapy courses, an intermediate family therapy course and conducts a variety of guest lecturing. He offers extensive clinical and research supervision, especially in areas related to this proposed publication. He has published a range of book , most recently, Formulation in Psychology and Psychotherapy (2005) , Working Systemically with Families, 2003, Researching psychotherapy and Counselling, 2005, An Introduction to Family Therapy (2005 2nd edition) and Interacting Stories: Narratives, Family Beliefs and Therapy (1997)

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  • Senin, 07 Juni 2010

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    This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.

    This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.

    As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

    • Sales Rank: #7318908 in Books
    • Published on: 2015-08-08
    • Original language: English
    • Number of items: 1
    • Dimensions: 9.21" h x 1.31" w x 6.14" l, 2.29 pounds
    • Binding: Hardcover
    • 622 pages

    Most helpful customer reviews

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    Poor Quality Reporduction
    By E. Birch
    Two stars because the source material is great stuff, bit the reproduction is bad. I have a vintage copy of this, and had ordered the reprint as a gift for someone because the old ones can be a little dusty or worn. However, I ended up returning it because a few of my favorite charts were totally illegible.

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    Experimental Cookery From the Chemical and Physical Standpoint 2nd Ed Hardcover Review
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    I found a few second hand-2nd Edition hardcover 1937 version. I ordered my book through Amazon.com from the seller "youzdbooks" The book was rated "Used-Good". I am thoroughly satisfied As stated the Spine of the book is tight, Ex-libris stamp on the inside cover. The pages are solid and crisp with a slight tan with some occasional easily erasable pencil underlings. The Red covers are solid straight and clean showing minot shelf ware. This book has all of the text, charts, graphs, formulas, pictures, table of contents and index. I find this book a jewel.

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    educational

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    Jumat, 04 Juni 2010

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    • Sales Rank: #12902261 in Books
    • Published on: 1979
    • Binding: Hardcover

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    There is a wealth of strength and power within us all, and the way to access it may be surprising. Only the weak and desperate are forced to take without giving, yet so many of us interact with others this way. You want approval. You want the girl to think you're funny. You want your boss to be impressed. You're told you need to 'Game' them. You feel like you constantly need something from others. But you're wrong. They need something from you. Game Over is a roadmap out of a self­-made prison. When it comes to the social world, no one is naturally weak and desperate. We can all summon a vast reservoir of strength and value with a simple yet tragically elusive mindset – that of unconditional giving. Reconnect with the immense social intelligence you were born with. Throw out the toxic ideas of 'Game'. Declare Game Over, and reclaim the life of social freedom and endless joy you've always had inside.

    • Sales Rank: #1922935 in Books
    • Published on: 2015-12-24
    • Original language: English
    • Number of items: 1
    • Dimensions: 9.00" h x .52" w x 6.00" l, .70 pounds
    • Binding: Paperback
    • 230 pages

    About the Author
    John is a traveling communication and relationships coach that uses his background in art direction and theatrics to transform communities. His recent missions involved infiltrating the men's seduction community and subverting it into a platform for masculine and spiritual development. Turning an industry of men going on the hunt for women, into a platform for self-healing and unconditional action from the heart.

    Most helpful customer reviews

    7 of 7 people found the following review helpful.
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    What an eye-opener! A life changing book!
    By Amazon Customer
    This book will liberate so many men from being stuck in trying to get laid. It opened my eyes on how I look at the world. It's not only incredibly well and understandable written (as my mothers language is not english), it's also a paradigm that goes far beyond "dating" itself. John Cooper offers a way of being (Social Heartistry) that won't only make you amazing with women but also an overall better human being. The book shows off how men (and the current dating industry) is stuck in "trying to take" from women. This creates a fear, awkwardness, shame. The fear of talking to women that currently exists in our society. John Cooper changes this forever and shows in a crystal clear way how to liberate yourself from this fear. This book changed my life already. It leads into amazing, meaningful connections with women, fulfilling sex and just effortless interactions. 5 stars from my side. It's the best, and most liberating book about dating I've ever read!

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