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About Rothko, by Dore Ashton
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As the Washington Post says, "Dore Ashton brings the reader to the very core of Mark Rothko's art." She draws on her countless interviews with the artist--giving little credence to the false mythology surrounding his work--to take us to the heart of Rothko's painting, showing its derivation from his reading, travel, and thought.
- Sales Rank: #1980193 in Books
- Brand: Ashton, Dore
- Published on: 2003-06-05
- Released on: 2003-06-03
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .60" w x 6.00" l, .81 pounds
- Binding: Paperback
- 240 pages
Review
"Essential." -- Library Journal
About the Author
Dore Ashton's books include A Joseph Cornell Album, Picasso on Art, A Critical Study of Philip Guston, A Fable of Modern Art, The New York School, Noguchi East and West, and A Reading of Modern Art. She lives in New York City.
Most helpful customer reviews
0 of 0 people found the following review helpful.
bad print
By Roland Hultgren
interesting but unfortunately bad illustrations
5 of 9 people found the following review helpful.
Ashton's cryptic writing mirrors Rothko's mystery
By A Customer
I read the book in the eighties, when it was published-- I was attracted to the great photo of Rothko on the cover-- the book is a loving Rothko-like homage--cryptic, deep, serious-- the lack of irony is sometimes hard to take-- but adds a sense of the compelling-- I found myself reflecting upon it-- as one might reflect upon one of the paintings-- Ashton obviously loved her subject-- oh, she describes her meetings with Rothko-- in his later, financially secure period eating in an upper east side chinese restaurant-- a delight.
3 of 14 people found the following review helpful.
I thought it was about something else!
By Carbon Klein
Seriously I did. The first time I saw a Rothko painting was at the SFMoMA. It covered an entire wall of the room and was the biggest thing on canvas I have ever seen. I was hoping that Dore Ashton's book would give me an insight into the meaning and style of Rothko, but rather, it seemed to be a biography of the man rather than a critism of the work. I suppose that's partially my fault since I'm sure there quite a bit of art critism books out there on Rothko...unfortunately, the historical presentation of the book isn't really all that interesting. I guess in the end, the big picture is that Rothko was deeply influenced by his Marxist experiences because that's what I got from Ashton's book. On a side note, Dore Ashton writes for Modern Painter magazine, which is actually a good magazine.
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